#this was a good first step

[stevie-kun]

day seven: gengar

[nekrosmos]

Hello Soap enjoyers, how are we doing today

[dasketcherz]

okay, fiiine... your sister's not so bad, goggles.

[ionomycin]

2023 favorites

[starry-bi-sky]

Blood Blossom Au: Baby's First Commissioner Meeting :)

TL:DR This Post: Danny (orphan) gets poisoned with blood blossom extract by Vlad. He runs away from him and ends up under the care of one Pre-Robin Battinson Batman! Starry is loudly pushing her batdad agenda.

(Also known as "Late At Night, When The Nightingale Sings" on my ao3!)

This was a fun rough idea I've been sitting on for weeks, thinking about how Commissioner Gordon and Nightingale's first meeting might go.

---------------

Commissioner Gordon likes to think that he's adjusting to the new normal of Gotham very well, -- the new normal being grown men running around dressed like bats, in military-grade strength body armor, committing acts of vigilantism, -- and slowly, little by little, he was no longer being surprised when this new normal pops up out of the shadows like the world's most terrifying daisy. His shaving lifespan thanks him for it.

....

The kid is a surprise though.

Granted, he seemed to be a surprise to the Bat too.

There's been a string of murders lately, -- which, in Gotham, is kind of like saying there's been another storm during monsoon season. And there's just been another; in some dilapidated building down in south Gotham, with the broken, boarded-up windows and mildew-crawling walls to match. The victim is a man in his thirties, multiple gunshot wounds to the chest, left in the center of the room for the blood to pool out around him.

The place is already secured when he arrives, the building swarmed with officers and the forensic detectives. The Bat emerges shortly after he does -- or, he might've been here the whole time, hiding someplace dark and shadowy. For his own sanity, Gordon doesn't think about it too hard.

The kid is a surprise, and he appears like a bolt of lightning.

He shows up in the middle of a conversation Gordon is having with the Bat.

A whistle, sharp and loud, slicing through the air, meant for open air rather than a confined space. Gordon's ears pierce and protest the sound, and the solemn, murmured chatter floating through the room abruptly cuts off like the swing of a gavel. As he turns towards the sound -- as they all do -- he swears, up and down, that he sees Batman's shoulders jump, just slightly.

At the source, perched on the window, is a boy. A boy in a gray-blue scarf and an oversized black hoodie, one that hangs off his frame and has ace bandages wrapped around the wrists in some attempt to cinch the sleeves. The hood is up, big like the rest of it, and threatens to swallow the upper half of the boy's face whole in the fabric. What upper half Gordon can see, is smeared with some kind of opaque, black face paint. He's holding onto the side of the frame with one hand, on his hip is a grappling hook. A familiar grappling hook.

Gordon has multiple questions, and his officers tense up.

Martinez puffs up, brows furrowing as his face shapes into a frown. Shoulders rolling back. "You can't be here, kid--"

The reaction is immediate, like a spark to gunpowder, the boy yanks his fingers from his mouth and his mouth twists into a scowl. Head snapping over to Officer Martinez, his hood manages to stay on but Gordon swears that as he bares his teeth, the glint makes them look sharper than they should be. His voice is rasp and quiet and harsh; snappish in its hissing; "Put a fuckin sock in it, Martinez. I'm not stayin."

Martinez reels back, and the boy immediately veers his attention off him. Like a switch, his demeanor drops. Despite half his face being covered, his mouth twists into a cringing, apologetic smile. Slanted and off-beat, embarrassed. It'd be disarming if this wasn't Gotham, and if he didn't just hiss at Martinez like he was about to bite his head off.

"Sorry." He whispers, voice deceptively polite and softer now. Gordon has to strain his ears to hear him. "I was looking for him."

He points his finger towards-- Gordon? No, Gordon follows the direction, and finds himself looking at -- the Bat.

The Bat, who always looks stiff as a pole, now looks even stiffer. Somehow. Well, the explains the grappling hook attached to the boy's waist.

"What are you doing here?" The Bat says, gruff and unable to completely smother the stumble of surprise in his tone.

The boy still holds a sheepish smile, and slips off the window ledge. His feet hit the creaky boards with a near-silent thud, the Batman finds his feet and rapidly begins crossing the room.

Gordon notes the slight tremble in the boy's legs as he straightens. He adjusts his scarf, which droops close to his knees now that he's standing, and slings a backpack -- how long has had that? -- off his shoulders. When the Bat reaches his side, he does as he always does, and looms over the boy like a spectre. A threatening mass of shadows cloaked in all-consuming black. Standing next to him, the boy looks teeny in comparison.

The Bat is a man who terrifies even the most hardened criminals, Gordon has seen grown men shiver in fear at the mention of his name. And yet when the boy looks up at him, he doesn't even flinch.

Instead, his sheepish smile melts away like ice under the sun, holding only traces of his previous embarrassment. It remains as a shadow on his face, a small upturn at the corners of his mouth. The boy pushes his hood back just enough to reveal glinting, ice-flint eyes surrounded in tar-black face paint. He holds the backpack up with one arm. "You forgot this."

[b0tster]

Who is your favorite Zelda character?

who do u think lmao

[guccigarantine]

if you have lmk what was being shown

[suja-janee]

Bireena request: 2/5 (request from anonymous)

Uhh slight boobie warning under the cut vvv

The titan versions get along a little TOO well hehehehehehehhehehe

[wheneverfeasible]

When Steve’s parents announced their divorce, Steve told Eddie he loved him. They weren’t dating at the time, though Steve thought that the feeling was mutual to at least some extent since Eddie always flirted back with him, but he hadn’t been certain.

He had known his parents stopped loving each other years ago. Hell, he didn’t know if they had ever truly loved each other, but in any case, Steve knew.

His parents decided to sell the house, to move away from Hawkins with its cursed misfortune and small town gossip, and there was no talk of either of them taking Steve with them. Which, sure, he was grown, he hadn’t been part of the conversation at all.

Steve was left at a crossroads on what to do. So, distraught at his change in circumstances, he’d gone straight to Eddie’s and confessed his feelings because he had to know if it was at all possible for anyone to want him the way he wanted them.

Luckily enough for Steve, Eddie did!

The Munsons still had a decent amount left over from the government hush money after everything, so Eddie took his share (Wayne tried to get him to take more since all Wayne had lost was physical possessions and the trailer while Eddie almost lost his life, but Eddie would only agree to a 50/50 split) and together he and Steve threw caution to the wind and found a small place to rent together in one of the new complexes being built as part of the town’s rejuvenation project.

Things were going great. They still visited Wayne, who could now stop working such long hours at the plant and who had moved to a small fixer upper on the outskirts of town. He even moved up the ladder at the plant after some of the higher ups were lost in the “earthquakes” (R.I.P.), which offered better pay and benefits.

Wayne even started dating again, which Eddie informed Steve of in such a scandalized tone, but Steve could tell that Eddie was happy for his uncle, ribbing the older man when they had stopped by one morning and the man hadn’t even been home, stumbling back an hour later with lipstick stains on his shirt’s collar.

(Wayne had told him that he was going to call the cops on them for breaking and entering while he was gone, but there was no heat in it as they set chocolate chip pancakes, eggs, and a steaming cup of coffee before him, having made use of the kitchen while he was out.)

Wayne never introduced any of the women he dated to Eddie and Steve, saying that it wasn’t proper to introduce anyone to the kids yet until he was certain that things were serious, never mind that the “kids” were well into their 20s now.

(Steve also felt a warmth at being included as a “kid” of Wayne’s, however, filling a hole in his heart that his parents had left behind, though his mother had recently reached out to him to rekindle their relationship. His father remained radio silent.)

Eventually, however, there was someone Wayne kept seeing repeatedly, someone he’d met while outside of town when he was at some convention for work and her car had broken down outside of his motel room. She hadn’t left the motel room until the next morning, and Wayne was certain it was just a single night of passion, but…

They had really hit it off, it seemed, and though Wayne hadn’t thought such an amazing and sensual—(“Uncle Wayne! For the love of everything holy, unholy, and whatever’s in-between, please don’t say sensual!)—woman would be interested in him, they exchanged numbers. And then, the day after he’d told her he should be home again from the trip, she called him.

Things only progressed from there, and soon enough there were talks of something committed, of something truly serious, and after a while, Wayne broke the news.

“Boys, my partner is going to be moving back to Hawkins and, while we know it’s a giant leap, we decided to move in together.”

As it turns out, apparently the woman is actually from Hawkins too but had left after the earthquakes tore the town apart, so she is someone that they actually knew. Wayne still won’t tell them who it is, however. He seems a little embarrassed by that, actually, but he also tells them that he is the happiest he’s ever been and he was willing to fight to be with her, so what else can they do but accept that?

They are thus excited for him, excited to finally meet her (again?), and the plan is set that they would have a family dinner together once she was in town. Steve and Eddie are, of course, moderately worried given the whole being queer thing, but Wayne assures them that they will be safe. That Wayne had made damned certain that both his boys would be safe.

(Steve again feels that warmth of belonging to someone, of being loved and cared for and supported in a way he’d never known before.)

And then the day arrives. Steve and Eddie show up early, looking pretty damn spiffy they believe, and help Wayne get the dinner ready, though it’s more like a late lunch really. Eventually, they hear the sounds of tires outside of Wayne’s house.

Wayne, smiling and looking absolutely besotted, moves toward the front door to let his girlfriend in without missing a second. Steve and Eddie hear the door open and close from the kitchen, hear quietly murmured words and what disgustingly sounds like kissing, and then there’s footsteps and—

Steve turns around to greet this mysterious woman, a smile on his face, before dropping the bowl of salad in his hands as shock and something very much like horror make itself known to him.

“MOM???!”

~

Hostage Hotties: @derythcorvinus @katyawriteswhump @honeii-puff

[eldritchblep]

You know what’s hard? Cities. You know what I enjoy painting despite it being hard? Also cities.

[jupiters-shortest-martian]

People who havent read the books are gonna get such a shock when the find out clarrise is a good guy and luke is a bad guy

[thechy-fychannel]

y'all ever think abt how it was julie having the affair and it is even said multiple times that she was the one who left him, yet wilson was still the one who left their home and moved in with house. like. he couldn't bear to stay in their home alone. he immediately ran to house and stayed on his couch for weeks. suffered through his pranks and his laziness and his manipulation. telling him he wants him gone while sabotaging his attempts to leave. and he only left once he got a girlfriend again.

[dykedvonte]

You ever just see a Mouthwashing take that makes you want to bang your head into a wall? I literally just saw someone claim Curly couldn't have been emotionally abused by Jimmy before the crash because he was in a higher position of power than Jimmy.

-Shrimp Anon

The mouthwashing fandom has shown me that people genuinely do believe that certain types of abuse are not as detrimental as other types especially when they deem those immune/resistant, ergo, believing one is objectively worse no matter how it affects the person nor the intersections of power, history and dynamics at play.

Get ready cause this is a yap session:

Cause like it's heavily implied that Curly and Jimmy's friendship was toxic and abusive, pointedly in the direction of how Jimmy uses Curly's belief/comfort in him. Curly wasn't forced to enable Jimmy but he was emotional and mentally on edge around him in almost every scene in some way. Mental and emotional abuse are not contingent on what positions you have at work. Yeah, he's Jimmy's boss but he was Jimmy's friend first and it's like getting into Psych discussion to talk about how social power tends to overshadow any perceived organizational power in the human mind. People are concerned about their jobs ofc but they tend to hang onto and put more value/investment into their personal relationships, hence why there tends to be laws and restrictions around mixing the two.

I always see the sentiments that "Curly is a grown ass man", "Curly is bigger than Jimmy", "Curly is Jimmy's boss", "He just needed a backbone" as criticisms of Curly and while I do agree that on the surface level all of these to be true and viable ways Curly could've taken more control of the situation, I often look at the parallels of Anya and Curly as victims of Jimmy pre/post crash.

The way Jimmy talks to Anya post crash is how he talked to Curly in the pre-crash segments. It's hard to pin-point mainly because we know he hates and wants nothing to do with Anya compared to his contrary but similarly handled obsessions with Curly. It's a weird sort of "honey-moon" effect of abuse Jimmy does in terms of emotional and mental victimization. He is always horrid to Anya, always talking down or questioning her abilities and thoughts in a situation, this of course includes the harassment and assault. However, he has a moment of attempted gentleness/conditioning when he question her about the mouthwash when she's contemplating drinking it at the table. The key difference is he has no personal investment in Jimmy outside wanting nothing to do with him, meaning there is no sort of romanticized version of him that he can condition her off of. He knows this, hence, why he always reverts to trying to make her to scared to oppose him.

This sort of give and take of "kindness" doesn't work on her because she knows he is just doing it to take more from her than whatever he could possibly give but it reflects even the "softer" scenes between him and Curly where he always rewords or rephrases Curly's sentiments and concerns to sound more shallow. He is feigning a deeper understanding by reworking Curly's emotions into something bad and needing to be hidden. Everything is laced with envy and resentment, an outburst just around the corner, I mean he even slams the table in the birthday party scene, a tactic in emotional manipulation to set the victim on edge and cloud their ability to respond. Even if Curly knows Jimmy won't get physical in that moment, the physical actions is intended to make him back down in the confrontation in case it does. This is something that is just not person specific. It ingrains itself into how you interact with the world and life and it shows in major and minor ways with Curly.

Post-crash, the abusive nature is more in tandem to the physical victimization Anya went through and the stripping of voice and autonomy we see take place. Like the parasite in HFIM, Jimmy speaks for Curly most of the time and puts words in his mouth, similarly to how he takes Anya's plans as his own. He very commonly, with the both of them mind you, supplements the worst aspects of himself into them; pettiness, selfishness, lack of understanding... And tries to cover himself with their best qualities; kindness, planning, initiative, etc...

These parallel are just to say that positional power has little to do with if a person can be abused and how it can even be flipped to further the abuse. There is no doubt that Curly could've picked up on Jimmy's envy of his position hence another reason he never confronted him as a Captain but as a friend as doing so would immediately put Jimmy in a space to be confrontational/combative.

I think the disdain some people have when they talk about the heavily implied if not implicitly stated emotional/mental abuse Curly experienced being Jimmy's friend is when treating it as an excuse to why he didn't do more. I can understand that completely because it is not an excuse to why he didn't do more but is a very real reason people in his position in these scenarios can experience whether in the context of a work or social environment. However, I also think the way people talk about it really does demonstrate a bigger problem when talking about abuse when somehow who is/was abused is either part of the issue or enabled it.

Harkening back to the sentiments about Curly's inaction regarding Jimmy, I think the exact phrases I used/have seen show how there is an inherent belief that it is easier to overpower the effects of emotional/mental abuse that go in tandem with the perception of Curly as someone who should be able to. There is not an age you suddenly stop being susceptible to abuse nor a set point or low where you realize how it has affected you. You don't suddenly know to stand up or put a face on to face your abuser nor admit that you inadvertently enabled them to subjugate someone else to the same treatment. Maybe it's my psych brain but their is this growing belief that direct action is somehow easy or always the best method with the game shows you instances where it is not always the case. In real life that rings true too. He should have done more, but it's not impossible to see why he struggled to find a way or didn't even if it makes us mad.

It's not easy to suddenly gain a "back-bone". You don't immediately want to resort to aggression, especially if it mirrors the type you were a victim to. You don't want to believe you allowed yourself to be treated this bad, let it get that bad or allowed something bad to happen to someone else. It is easy to be in denial, to retreat to your thoughts or make excuses to avoid the painful truth. It's frustrating but in a way we know is relatable. It why we both hate and love Curly for it. We know we'd be better, we think we'd be better, we like to think we wouldn't falter in the same ways but it's always easier to say that from the outside looking in. It's easy to see what he was doing wrong because we are seeing it, not him, but the game really does make you picture what you would do if this was your raw reality and it's why this debate about Curly seems so never ending/contradictory. We can all say what we'd do but bottom line is that's much different when you're in the moment with all the emotions and human feelings attached.

I personally think Mouthwashing tackles the themes of rape culture, enabling, toxic masculinity, types of abuse and patriarchy in ways that are meant to deconstruct the typical straightforward views we mostly have of these concepts and how little subtilities of them are just as, if not more, detrimental than the overt/obvious parts. The game deals with the idea of little details and bigger picture in a way to show that sometimes the bigger picture is not the issue but the little details that make it up. It's why I have a personal dislike of depictions of Jimmy as the typical horrible person who would of course do something like this because the game is about noticing the little warning signs, the foreshadowing and foresight.

It's why I dislike the typical discussion of "bro code" and "boys will be boys" for the game because the game makes a point to avoid the standard depictions of such. It is about the type of men who still enable despite not condoning, agreeing or even perpetuating harmful beliefs because they can't see the little details or the ways it seeps into their everyday. The severity is not obvious to them as it was not obvious to Curly, Swansea or even Daisuke the way it was to a woman like Anya. There are little details about Jimmy that should ring alarms but if you are too naive like Daisuke, too distant like Swansea or too conditioned like Curly, they are just off markers.

There is 100% more constructive/concise ways to say "Curly was a victim of Jimmy's abuse on an emotional and mental aspect that clouded his judgements and perceptions in the scenario" while also critiquing on the side of "Curly still had a responsibility to protect Anya as a crew mate and Captain that he failed to do due to biases and stigma's he failed to surpass" without the weird condemnation people give him about should've knowing better than to let himself be manipulated by a person he considered a close, if not family/best-friend and had his own reasons to trust initially. Also stop being weird about victims of abuse in general with this fandom, like sorry not everyone has a like social epiphany the moment someone's nasty to them. People are treating it like you immediately know when you are in a toxic relationship immediately or comprehend when a person is actively dangerous and either it's your fault for not knowing how to leave/cut them off or you deserve it. Like the hypocrisy of people believing how certain fans treat the story reflect their irl views but not their own is crazy.

End statement is: I honestly don't even know man, I've been writing this too long and just like no man on that ship was perfect or really helped Anya when it mattered and I feel like pitting them against each other in discussion on who did the least or most or how it was justified sucks cause in the end Anya always did the most and best thing for herself.

[blueskittlesart]

deeply refreshing to see someone critical of Swift who also like, genuinely likes her. Like i'm neutral to positive on her, but the online discourse has been absolutely rancid. flipping between "Taylor Swift has never done anything wrong ever and she's a fucking genius" and "Taylor Swift is the worst lyricist of all time and also a bad person" is exhausting, so thank you for like. nuance or something lmao

not to make it serious for a sec but i genuinely think that being able to like things that are bad is really important. like I think that it's an important skill to be able to look at something and see what you personally enjoy about it and then take a step back and acknowledge that objectively it's flawed. and to also be able to acknowledge that liking something isn't necessarily an identity or a moral stance. and i think that fandom space in general could really benefit from more people taking the time to learn how to do that. it's okay to like things that are bad

[transmascutena]

the poor little meow meow-ifictation of saionji in this fandom has got to stop i can't take it any more

[lady-harrowhark]

I’ve been thinking a lot lately about Gideon’s blood and the Tomb. I’ve got two points here that dovetail somewhat…

Let’s review some key events. I realize these probably seem a bit all over the place, but I do believe they come together. I’ve tried to put these in roughly chronological order.

John attempts to consume the soul of the Earth, and then creates a physical body for Alecto: “I ripped half my ribs from my body and made you from the dirt, my blood, my vomit, my bone.”

Ten thousand years later, Gideon and Harrow duke it out. The initial recollection of the fight says that “Harrow had scratched until she’d had half of Gideon’s face beneath her fingernails.” The more candid HtN version has Gideon telling us, “You clawed my face so bad that my blood ran down your hands; my face was under your fucking fingernails.”

Harrow opens the Tomb with Gideon’s (read: John’s) blood on her hands.

Harrow sees Alecto, falls in love with her, and decides to live. 

At some point while in the Tomb, Harrow apparently kisses Alecto: “She hadn’t come on purpose; the scrap of black-eyed meat had asked for it—the chain of a kiss: the ice that burnt the flesh of the mouth that had stuck to the mouth that was frozen.”

At Canaan House, Ianthe ascends and tells the others that step six of the process is to “consume the flesh. Not the whole thing, a drop of blood will do to ground you.”

Harrow’s letter tells her she owes Ianthe “the favour of the chain”, which extends “into the House, but NOT into the Tomb.” The agreement takes precedence over any oaths sworn to others, including John, except for the Holy Corpse.

Harrow kisses Ianthe to inspect her jaw and re-swears the oath.

Harrow’s Nova AU has her retrieving the chain of Samael from the Anastasian. This is considered a sin severe enough that the Reverend Father whips her, but she is allowed to keep the chain. Denied the role of Reverend Daughter, Harrow tells Ortus that she is “the unfulfilled vow and the bloody teeth of the unkissed skull.”

Alecto kisses Harrow, bites her, and recognizes her by her blood - the blood of Anastasia’s line. Alecto tells Harrow that she is very sorry about Samael, and she vows the favour she had promised to Anastasia to Harrow.

We see over and over this theme of consuming another life, whether body or soul: we get two sides of this coin when we compare Gideon’s “All I ever wanted you to do was eat me” to John’s statement that “it’s the human instinct, to take.” Consuming the flesh is, per Ianthe, one of the steps to taking in a cavalier’s soul and becoming a Lyctor, directly paralleling John consuming the Earth, both physically when he eats dirt and spiritually when he takes in her soul. Thus far, though, we don’t know how or if Harrow consumed Gideon’s flesh in the interim between chapters 36 and 37 of GtN. 

But here’s what I’ve been wondering: assuming Ianthe is correct (and telling the truth) about the steps to becoming a Lyctor, to what extent does the order and timing actually matter? I think there’s a distinct possibility that Harrow had consumed Gideon’s flesh years before they even came to Canaan House.

Because Harrow had Gideon’s face under her fingernails. And Harrow bites her nails.

HtN, chapter four:

You held your left hand up before your face, before the light, the even white light with its hot tungsten filaments. The thumbnail was whole and even. Too even? Were you wont to chew your fingernails still, that unattractive tic of your girlhood?

And again in chapter twenty-one:

She took off her gloves, and with the edges of her fingernails - bitten to the quick, and never much help - she started to prise open one wrinkled corner.

If the steps do not have to be completed strictly in order, Harrow may very well have already checked off step six if she were biting her nails with Gideon’s flesh and blood still clinging to them.

The other thing going on here is that we get these repeated connections between chains and favours and kisses. I don’t feel like we have quite all the pieces yet to draw any definitive conclusions, but it seems that the favour of the chain may have something to do with the Reverend Family’s vow to protect the Tomb. Particularly, Harrow describing herself, sans Reverend Daughter title, as “the unfulfilled vow” as she wields the chain of Samael lends itself to this interpretation. I also find it very interesting that this unfulfilled vow is paired with “the bloody teeth of the unkissed skull” given that upon waking, Alecto kisses Harrow, bites her, and draws blood which then allows her to recognize Harrow as one of Anastasia’s descendants.

Before that kiss, though, there was another. Alecto describes being called back by Harrow’s kiss, presumably when she broke into the Tomb as a child. I have to wonder if blood was playing a role here too. Alecto says that Harrow’s flesh stuck on her frozen lips, that the ice burned her. If this kiss also drew blood, it could be that the blood of Anastasia’s line was the key to calling her back. However, there may have been someone else’s blood on Alecto’s lips that day. If Harrow had been biting her nails, which she’d earlier used to claw Gideon’s face, she very well may have had Gideon’s blood in her mouth as well. As John’s daughter, her blood was able to open the Tomb. Was it able to call Alecto as well? Could “the chain of a kiss” be referring to Harrow transferring John’s blood between Gideon and Alecto?

Overall, it seems like we’re circling something akin to a blood oath or living blood ward. The thalergetic nature of blood certainly aligns with the symbolism of life and light that we see connected to the Earth and Alecto, in contrast to the thanergy that John cultivates. Alecto’s physical form is derived from John’s blood, and his power is derived from her soul. If indeed a kiss and a few drops of John’s blood, shepherded into the Tomb by Gideon and Harrow, are enough to call Alecto, I cannot even imagine the pyrotechnics show that we’re in for now that he’s had a run-in with the business end of her sword.